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Wabi sabi reibstein
Wabi sabi reibstein




Between each haiku, we’d pause and breathe in and out in appre­cia­tive silence. After, we’d gath­er in a cir­cle on the rug to share our poet­ry in hushed tones. We’d talk about nature’s beau­ty and unfin­ished imper­fec­tion woven through Basho’s poet­ry, what it means, then dim the lights, turn on soft music, and set the chil­dren loose on the page. I’d read them the haiku of the famous Japanese poet, and “father of the haiku form,” Matsuo Basho, and teach haiku construction-5 syl­la­bles, 7 syl­la­bles, 5 syl­la­bles. If I were still teach­ing in the class­room, I’d have my young stu­dents sit qui­et­ly and look for the wabi sabi around them, or in their mem­o­ries, and nod to each a know­ing smile.

wabi sabi reibstein

With each glance and reflec­tion, I feel calmer, more patient, more appre­cia­tive in a wabi sabi sort of way of uneven edges, scratched sur­faces, lost time, the mem­o­ry of a friend’s death, the imper­ma­nence of life.

wabi sabi reibstein

W abi sabi?Īn over­stuffed read­ing chair. A long-fingered ici­cle drips out­side my win­dow. Fall’s dried leaves still cling to branch­es, though it is bit­ter cold out­side. The weath­er can change quick­ly here in Minnesota. Taking a cue from the cat, I look around at my sur­round­ings through a “wabi sabi” sort of lens. Wabi Sabi looks around afresh and sees her world in haiku, Feel … He moved slow­ly but gracefully,Īs if he were danc­ing, and he han­dled his things as if they were gold, The old monkey’s haiku reply is confusing: The cat and I find the wise, old mon­key mak­ing tea.

wabi sabi reibstein wabi sabi reibstein

The wise, old mon­key is some­where in the for­est, the sto­ry says. The own­er draws in a breath through her teeth and says, “That’s hard to explain.” As the cat own­er paus­es, my eyes slide to the bot­tom of the page and find poet­ry, one in Japanese, one in English:Īnd in that silence, Wabi Sabi the cat begins an adven­ture to find the mean­ing of her name-and I go along with the same curios­i­ty. On the story’s first page, strangers meet Wabi Sabi the cat and ask what “wabi sabi” means. In the same moment, I’m intro­duced to Ed Young’s gor­geous and mys­te­ri­ous mixed media illus­tra­tions cre­at­ed from “wabi sabi” lost and found imper­fect objects. The book opens ver­ti­cal­ly, as if I were read­ing tra­di­tion­al Japanese. The first extra­or­di­nary expe­ri­ence I encounter read­ing Wabi Sabi, is the imme­di­a­cy of the Japanese world.






Wabi sabi reibstein